Monday, 25 May 2026

6. Has Mysuru Gone Bangaluru-Way? (Part 6 of 7)

Iconic Mysuru and its Tipping Point

Wadeyar dynasty of Mysore State had a divine heart and a magic sceptre in their hand. Their belief in Goddess Chamundi was the divine driving force behind their rule. And as if to give credence to their belief in the Goddess Chamundi, dynasty’s women folk were equal participants in the protection and development of state. Wadeyars built their Mysore State like craftsmen, for whom every detail was an important part of the whole.


Mysuru City – A City-Planners’ Dream

It is in a wholesome view of their rule that Mysuru city became the fulcrum of Wadeyars magical creation. Palaces they built in Mysuru were not as much for a show of pomp and pageantry, as much a portrayal of an overall majesty and vision of a capital city. The establishment of the hydro-electricity generation station at Shivanasamudram, near Mysuru, in 1908 was only the second such facility in the country at that time. It electrified the prosperity of the state and illuminated the Mysuru city and city palace. Mysuru city adopted the Best Practices found in the important European cities. Mysuru had buildings and the chateaus; the fountains and the circles; gardens manicured pathways, and the roads; gateways and the arches and intricately designed road-side electric lights and the lakes. The residential areas were well spread out and provided with necessary facilities such as electricity, piped drinking water, underground drainage and very responsive civic administration. Mysuru also prided with a university, a race course, a large zoo and a museum.

This iconic city was an image of any European city and was the pride of the Mysore State. It became a model capital city to be replicated by many other princely states like Baroda, Jaipur and Indore.

Therefore, the Mysuru was city planners’ dream.


Fountains, Orchards and Gardens

The grand Amba Vilas palace was surrounded by orchards, gardens and parks. Two fountains - the Harding Circle Fountain and the Elgin Fountain - on either sides of the Chamraraja Circle on Albert Victor road gave a good expanse and elevation to the city palace. The Elgin Fountain was located at the very spot of the present K.R.Circle and was a part of large garden, decorated pillared gateways on either side and very imposing Lansdowne building as a backdrop.

Harding Circle had a big circular fountain where the water springs rose in varying heights in several circles, like today’s much touted ‘modern’ musical fountain of Brindavan Gardens. And during the evenings fast differently changing illuminated colors lights of the fountain were very mesmerizing. Music bands performed during the evenings at this fountain. Harding Circle had six access roads, and each such entry point was having well designed polished colored pillar gateways on either side of the roads with elegant electric lights lamp shades at the top. Huge trees at the borders gave a green backdrop and enhanced the beauty of the fountain’s environs.

Just behind the Zoo a Thandi Sadak, a green-cave formed by flowering creepers, and the creeper buntings between huge trees on Lalita Mahal road were distinct features of green Mysuru. The palace itself was surrounded by orchards and gardens along the fort walls. Curzon Park, the Kuppana Park provided greenery and vast visage to the entire surroundings facing the Amba vilas Palace. The present KSRTC bus stand was an orchard with guava, chikkoo, mango and other fruit trees. 


Imposing Buildings, Gateways & Arches: Circles & Clock-Towers

The Amba Vilas palace was surrounded by beautiful buildings. On its southern side were aesthetically designed Gun House and two Palace Office Complexes. On its western side were the Sanskrit College, the city Municipality building, Motikhana building, and Lansdowne building. There were fountains, circles and gateways of polished colored granite stone pillars with very decorative lamps at several strategic junctions all round the Amba Vilas palace. The building housing the Palace Band and the Palace Motor Garage and the Chittarnjan Palace at the far end of the Albert Victor Road were part of the Amba Vilas Palace surroundings.

The Rangacharalu Memorial Town Hall, amidst vast open green field in front of this palace itself was surrounded by private buildings of equally aesthetic architecture like Cauveripattanam building and the C.P.C building. Not very far away from the Silver Jubilee clock tower there was Garden Hotel mainly visited by the foreign guests.

The area beyond Amba Vilas Palace was laid out with well planned metalled roads, wide footpaths with tall trees, aesthetically designed electric lamp-posts and public buildings of immense architectural beauty. Sayyaji Rao road and Irwin road got a lion’s share of such wholesome creations. Devaraja Market complex, the K.R.Hospital and Cheluvamba Hosptial Building complex, the Chamaraja Technical Training Institute the Unani and Ayurveda Hospital and the Medical College building were located here. Wellington Lodge behind the Central Police Station on Irwin road is more than 200 years old and was the residence of Arthur Wellesley between 1799 and 1801 after the fall of Tippu Sultan. The neighboring Government Guest House is yet another iconic building of the city.

The Railway station, Railway offices, the Exhibition Buildings; Central Police Station building; Central Post office building and the State Bank of India building, and the imposing Jama [Badi] Masjid, were located on the Irwin road. Many more public buildings such as the Maharaja College, the Oriental Research Institute, Attaraha Kacheri, City Courts, Vani Vilasa Market, Sports Club, Race Course, were individually designed. Lalitha Mahal Road was centre of beautiful chateaus type bungalows for the foreigners serving the royalty.

Christian Missionaries also had large architecturally beautiful building such as Victoria Girls School building on the other side of Sayyaji Rao raod, also two Bathomlow Church buildings and the Wesley Press on Bangalore-Nilgiri road. The Catholic Church had its iconic Philomena’s Church and very large swath of lands with Philomena’ school, College, Bishop House etc. Most of these buildings were built with distinct architectural designs. Many of these buildings came up at different times.

And there were many private buildings in the city centre – the Dodda Pete, Sayyaji Rao Road, and the Irwin road - built in symmetry with the grand public buildings giving the city centre a look of dream city.

To add further beauty to some of these buildings were Dufferin Clock Tower, the Silver Jubilee Clock Tower and big clocks on the towers of some public buildings, such as Vani Vilas Market, to act as the time-keepers of the city.

In the subsequent years these buildings have become the grand Heritage of Mysuru.


Makkaji Chowka - the Malgudi

Makkaji Chowka, an area between the Sayyaji Rao Road and the Dodda Pete became the commercial hub with shops which catered to every need of the public. Hotels, Cinema houses, schools; beedi-shops and snuff-shops, watch-shops and the cycle-shops; cloth shops and ready-made garments shops, shoe-shops; even arrack shops were there. One got here anything and everything one would want.

Eradu-Vare –Aane - Galli, a small cleavage between Makkaji Chowka and the Sayyaji Rao road was market for the poor and the common man. War-time buses dislodged its rural passengers here. Magicians performed their arts here. This was the Maya-Bazar which spawned the idea of Malgudi in the mind of R.K.Narayan.

The Star of Mysore, the chronicler of Mysuru city, has recorded for the posterity the magnificence of Makkaji Chowka, both as commercial and cultural center in serialized articles by this author --: I: Makkaji Chowk that was in city [Oct 13 th 2015]; II- Makkaji Chowk: Its Distinct Role in Modernisation of Mysuru [November 5 th , 2015]; III- Makkaji Chowk: A Unique Mix of Traditional and Modern Businesses [December 20 th 2015]; IV-Makkaji Chowk: Bombay Anand Bhavan: Dominating Building with Enchanting Entrance [January 31 st 2016]; and V-Makkaji Chowk: Bombay Anand Bhavan: Where Gastronomy & Environs were Customer Centric [March 13th 2016].


CITB & Planned Residential Layouts

City Improvement Trust Board [CITB] was established as early as 1904. It developed well- planned residential layouts in Laxmi Puram, Krishnamurthy Puramm, Chamundi Puram, Sarasvati Puram, Vani Vialas Puram, Yadava Giri, Mandi Mohalla, N.R.Mohalla and several more. And in the post-independence period Jayalakshmi Puram, Gokulam stage I, II, and III; Brindavana, and many more were developed. All these residential layouts were provided with underground sewage system, piped drinking water supply, electric supply lines, well laid out roads with proper shoulders and footpaths, road-side trees; storm water drains and many other infrastructural facilities.


Responsive Municipal Administration

During the reign of Wodyears the Municipal administration was under the direct supervision of Dewans and in the later years commissioners. Quite early people’s participation, first by the nominations and later on through the elections was introduced, making municipal administration very active and alive to the people’s needs. Early in the mornings the main roads were cleaned and watered by water tankers; solid wastes were systematically collected and shifted to far away dumping yards to be converted into fertilizers.

Thus, Mysuru was a city with distinctive history and heritage.


The Tipping point

At the dawn of Independence the rule by the Royalty in the state was replaced by a rule by the Republic. Consequently, Mysuru lost its royal patronage. The new government shifted the state capital from Mysuru to Bangaluru. This transition brought a metamorphic drift in the fate of Mysuru. Further, the 1956 state re-organization not only enlarged the state’s geographical boundaries, but it also thoroughly changed its socio-political ethos.

Mysuru was the darling of ‘old’ Mysore State. But for the people and its representatives of ‘New’ Mysore State, it was Bangalore, the new seat of power that mattered. And this transition was the tipping point in the history of Iconic Mysuru.


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